![]() The African House was originally commissioned by Melrose Plantation’s original owner, Louis Metoyer, and built by his enslaved workers during the 1820s. Over the next 40 years Hunter created over 4,000 paintings that depicted the cultural richness of the Cane River Country’s Creole community, many of them worth thousands of dollars today.Ī HOPE Crew member converts logs for the restoration of the African House roof in front of Clementine Hunter's cabin, a member site of Historic Artists' Homes & Studios.īut the most notable of Hunter’s pieces are the African House murals. Soon, Mignon provided her with all the materials she needed to paint and began to promote her work in the art world. Using discarded paint tubes from the resident artists and any canvas she could find - including soap boxes, cardboard, and paper bags - Hunter painted from her memory rich scenes of life in the Melrose Plantation’s African-American community. From then on, Hunter painted voraciously. He was so impressed by the work, that he encouraged her to do more. Mignon forged a lifelong mentorship with Clementine Hunter after she presented her first painting to him in 1940. He became the catalyst that began Hunter’s career as an artist. Ten years into Hunter’s post, a man named Francois Mignon came to Melrose Plantation as a literary aid to Miss Cammie. By that time Miss Cammie - who was passionate about preserving the arts - had transformed the main house into a retreat for artists and writers. In 1928, Hunter was promoted from field laborer to the position of domestic servant in the main house. The second part of the African House murals. This wealth of experiences would be added to the well of her memory, and each would soon take on a new life in her vibrant artwork. During this time she picked cotton, harvested pecans, had seven children (two by her first husband Charlie Duprie, who died in 1914, and five by her second husband Emmanuel Hunter), sang, danced, and grieved the deaths of loved ones. By 1898 the plantation was sold to John Hampton Henry and his wife Carmelita, who was also called Miss Cammie.Īfter arriving at Melrose, Hunter spent the next 26 years of her life in the fields. Melrose Plantation was established in 1796 by Louis Metoyer, a former slave and gens de couleur libres (or free person of color). In 1902, when Clementine was about fifteen years old, Janvier moved his family again, this time to the heart of Cane River Country at Melrose Plantation. Indeed, although she didn’t acquire knowledge from a classroom, Hunter took in the wisdom and cultural wealth that surrounded her and that would serve as a bottomless repository for her future paintings. Later, the artist would relate that, though she never received a formal education, she didn’t feel she was at a disadvantage. Photo portrait of Clementine Hunter (date unknown) which hangs in the Clementine Hunter Art Gallery on the second floor of the Melrose Plantation Big House. Hunter's parents did not send her back because, as valuable as a formal education was, they needed her labor in the fields to help supplement the family’s income. She frequently ran away from school and, after awhile, stopped going altogether. However, Hunter did not like the nuns' severity, nor did she like the constant conflict between the black and white children through the schoolyard fence that separated them. Jean Baptist Catholic Church School so that she might receive a formal education. It was here that Hunter’s parents attempted to send her to St. When Hunter was about five, her father moved the family to Cloutierville looking for better work opportunities. Her parents Janvier and Antoinette Ruben were Creole field laborers. But more than that, these murals lend insight into the life of artist Clementine Hunter during the early 20th century.Ĭlementine Hunter was born in late December 1886 or early January 1887 on Hidden Hill Plantation near Cloutierville, Louisiana. The African House murals are nine panels of folk art that depict the colorfully rich, day-to-day life and culture of the Cane River Country’s Creole inhabitants. Now, we continue to detail the African House’s historical influence and unique cultural heritage by exploring its murals and the artist who created them. In March, the National Trust named Melrose Plantation’s African House a National Treasure, kicking off the designation with a HOPE Crew project to restore the African House’s roof. The first part of the African House murals.
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